This example of trompe l’oeil consists of a painting of an engraving based on a painting.
P. 187 of Ebert-Schifferer, Sybille. Deceptions and Illusions: Five Centuries of Trompe l’Oeil Painting. Washington DC: National Gallery of Art, 2002.
“…he successfully imitated a well-known engravers style, and managed to do so without using paper.”
“The work exhibited here, a deceivingly convincing painting of an individual print, is the oldest known work of its kind.”